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Showing posts from 2016

Icons for HUD

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For the last sprint before we start playtesting one of the things we needed was icons for the in-game HUD. the challenge with making icon like this is that not trying to be so complex with it where people don't know which is which, it can get confusing. some of the icons came from the cards itself the challenge with that was trying to scale the small image up. 

Tron level Lighting

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  After researching lighting in unity it was time to test out what I knew in the game. I used a directional light at 90 degrees put it anywhere, it didn't matter. Increased the ambient intensity 50%. I also deleted some light spot lights that was place in the level before because they wasn't effecting anything.

Lighting in Unity

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Directional lights represent large, distant sources that come from a position outside the range of the game world. In a realistic scene, they can be used to simulate the sun or moon. In an abstract game world, they can be a useful way to add convincing shading to objects without exactly specifying where the light is coming from. When checking an object in the scene view a directional light is often the quickest way to get an impression of how its shading will appear. For such a test, you are generally not interested in where the light is coming from but simply want to see the object look “solid” and look for glitches in the model.An Area Light is defined by a rectangle in space. Light is emitted in all directions, but only from one side of the rectangle. The light falls off over a specified range. Since the lighting calculation is quite processor-intensive, area lights are not available at runtime and can only be baked into lightmaps.

Figuring out strafing for melee

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Video game animation offers a plethora of exciting opportunities and hurtles. For those involved, this digital playground offers a rich and rewarding experience, creating animation that connects to the audience on a more personal level then ever before. As part of the basic movement for my character, strafing was the most difficult for me. what couldve did was storyboarded out the strafing part before animating.

Spring Break Game Jam

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A game jam is a gathering of game developers for the purpose of planning, designing, and creating one or more games within a short span of time, usually ranging between 24 and 72 hours. Game developers are generally made up of programmers, game designers, artists, and others in game development-related fields. So spring is here and some of the guys the wanted to work on the game before we show it off at midwest gaming classic. Our main concern was getting the player models and animations working and the build. one of the good things about this game jam was not taking an hour with ceremony like standups which usually happens every class time. another good thing was the use of technology for communication even though most the team did not attend this jam I was able to communicate with them real time with Google Hangouts. using the screen share component of Hangouts I was able to see what my peers was working on and vice versa.getting that real time feedback from your peers even if ther

On the Level Team

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For this sprint I join up with level team who just lost an artist, he resigned. one of the design guys had a level terrain made before the sprint started. all that was needed was to be imported in unity, easy right? I'm afraid not, not only I had trouble importing it in unity but it kept crashing on me.  I had came to a conclusion that his terrain was too high of polys. so I had to import into 3ds max to reduce some polys. two million, yes two million was the number of polygons on his mesh. i had a few solutions to reduce count. first one was to manually remove edges and verts that was a no go. another  way was to use the pro optimizer modifier which works.

Shaders

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Before spring break our instructor introduce us to shaders. so during the spring break i've playing around with shaders looking at other shaders. one in particular that caught my attention is  no GPU tessellation, displacement in the vertex modifier and shaders with DX11 and or OpenGL core tessellation.

Animating Basic movement for melee

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Animating basic movements for a melee player can seem simple because it no complex parts. Technological limitations further challenge this process, such as an engine's frame-rate. The anticipations in video game animations could be just a few frames, if the frame rate is low and those few frames are skipped, then the player will not see the anticipation at all, which lessens the impact and believability of the animation. This can be overcome by creative planning, and the abbreviation of movements. a preview of the ready idle animation

Planning the animation for the Rocketman

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After the characters were finalized it was time to plan out the animations. I was tasked with doing the the basic movements for the rocketman in addition most of the art guys took reference pics and videos of some idle poses and attack for the spear weapon.

Rigging and Skinning Rocketman

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The process of rigging is we take that digital sculpture, and we start building the skeleton, the muscles, and we attach the skin to the character, and we also create a set of animation controls, which our animators use to push and pull the body around. There two ways of rigging a character Custom Rig system and Bipedal system for our project we decided to use the bipedal system mainly because it saved on time and it had less doubt than the custom rig option. the challenge we may have to face when doing biped is that simplifying the animations because biped has limitations on way it can do. 

AR and QR Codes

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After figuring how to implement AR aspect from the VR game. Using QR codes in a AR screen can draw up models from the QR code. Only downside to that is who are going to place QR codes all over the place.

Rocketman!

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Final composite render (Not In Engine) This is the mesh that I plan on using in the game. for the short amount of time doing one of the characters I learned a lot, from different modeling technique and the importance of concepts.

Modeling phase 2: UV unwrap and Texturing

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After modeling the armor, in order to have color and detail I would have to uv unwrap the mesh in 3ds max. Unwrapping a mesh is pretty much what it says, its splits and peel seems on a mesh to make them flat so it would be easier to texture on. Depending on how elaborate the texture is on the concept many either use photoshop or mudbox. due to my lack of experience using mudbox I decided to use photoshop i just used regular paint tool to color bock the shapes than used the flame shape for some style.

Cyclops Shooter (Not The Mythical Beast)

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After a short deliberation we decided on a shooting game that inspired by cyclops an comic book character from the x-men universe. this was are VR game we have not chosen a AR game yet. I think that could be fun because its plan to use the Samsung Gear touch pad on the side of the helmet to emulate the hand motion the cyclops make when firing his beams.

Ideas Anyone

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Coming up with idea for one game is hard but two games is crazy. Because we have two classes one being the AR class while the other VR we have to create two games. Couple of ideas going around one about a shooter game even atmospheric walking simulator.

Starting the Modeling phase

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the next step is 3d modeling with the base mesh already completed the only thing is to model the armor around it. using the hard surface the one of my peers introduce to me made it easy to model in 3ds max instead of sculpt the details in mudbox which are my weaker skills.What was hard about doing this technique is that it creates many vertices with are difficult to keep track of. After setting up my the model sheets as reference I just start with pulling out faces so that there separate elements.  

Character Concept: The Rocketman

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like my last post concepting is very important to the art pipeline in my opinion. what we have here is orthographic model sheets. These usually are the final reference items that a 3d modeler model after. in these images I have the model is in a t pose some other model sheets may have characters that are in a "m" pose or "A" pose. that is when the arms are down at a 45 degrees angle. 

Virtual Reality Vs Augmented Reality

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Augmented reality is the blending of virtual reality and real life, as developers can create images within applications that blend in with contents in the real world.Virtual reality is all about the creation of a virtual world that users can interact with.

Round 2

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In the current attempt in capstone  the art weakness was getting assets in the build, we had go back to the drawing board. So during the break I came up with some pipeline ideas. The art pipeline is the process of creating and implementing art for a particular project, most commonly associated with the creative process for game development. using an article from a school showing a pipeline and what it consist of. Concept is the basic idea of the game to be made, be it an original game or an addition to a pre-existing franchise. This is where developers do the brainstorming. Design is the stage where the look, flow, story, etc. is created. storyline, story boards, dialogue, character design, plot, and the like. This is where a coherent game is created. Characters are designed, developed, and completed, storyline is dictated with a distinct plot flow and (where the game warrants such treatment) CG Cut away scenes are conceptualized for the forward momentum of the game’s stor